"Thema (Omaggio a Joyce): a listening experience as homage to Cathy Berberian"
in Pamela Karantonis, Anne Sivuoja-Gunaratnam, Francesca Placanica and Pieter Verstraete (eds.), Cathy Berberian: Pioneer of Contemporary Vocality. Ashgate. forthcoming.

interviews with composers Wouter Snoei and Samuel Vriezen, article on Wolfgang Rihm (Dutch)
Timbres, Orgelpark Amsterdam, 2011, 2013.

"Voice or Ear? The Female Voice and the Listener's Position in Paul Lansky's as it grew dark"
in Carolyn Birdsall and Anthony Enns, Sonic Mediations: Body, Sound, Technology, pp. 109-125. Cambridge Scholars Publishing, 2008.

"Documentation and Publication of Electroacoustic Compositions at NEAR"
eContact! 10.x, Canadian Electroacoustic Community, Montreal, 2008.

Book review of Elizabeth Hinkle-Turner, Women Composers and Music Technology in the United States: Crossing the Line.
Organised Sound: An International Journal of Music and Technology 12/2, 181–184. 2007

"Musical Washing Machines, Composer-Performers, and Other Blurring Boundaries: How Women Make a Difference in Electroacoustic Music"
Intersections: Canadian Journal of Music 26 (2), 97-117, 2006.

programme notes (Dutch) for concert series 1000 Volt, Muziekgebouw aan 't IJ, Amsterdam, 2006.

"Documentation and publication of electroacoustic and multimedia compositions at NEAR: experiences and experiments"
Electroacoustic Music Studies network 05, 2005.
conference proceedings at http://www.ems-network.org

"Bodies of evidence, singing cyborgs, and other gender issues in electrovocal music"
Organised Sound: An International Journal of Music and Technology 8/1, pp. 5-17, 2003.

monthly column (Dutch) in Folia: Weekblad voor de Universiteit van Amsterdam, 2000-2001.

"Waarom Madonna een filmster wil zijn maar een popster is: over auteurschap en vrouwenrollen in film en muziek"
in Reader Hedendaagse AV-cultuur, Film- en Televisiestudies Universiteit van Amsterdam, 2000.

"Madonna: Redefining religious practices"
ASCA Brief 2000.

Madonna: De vele gezichten van een popster,
co-author Patricia Pisters. Amsterdam: Prometheus, 1999.

"Women & Music", Review of the first issue of Women & Music: A Journal of Gender and Culture.
Lover 98/3, 1998.

"The Death of the Singer: Authorship and Female Voices in Electronic Music"
eContact! 1.3, 1998.

"Who Makes Electronic Music? Vocalists, Composers, Gender and Electronic Music Technology"
Switch 4, 1998.

"Gender and Electroacoustics"
eContact! 1.1, 1998.

"Tegentonen: Bibliografie Feministische Muziekwetenschap"
co-authos Joke Dame, Petra van Langen, Henriette Straub, e.a. Lover 96/3, 1996.

"Female Voices in Electronic Music"
in: Brief: Visions and Voices of Otherness. ASCA Yearbook, pp. 159-162. Amsterdam: ASCA, 1996.

"Authorship and Female Voices in Electrovocal Music"
Proceedings of the 1996 International Computer Music Conference, pp. 409-412. Hong Kong: University of Science and Technology; International Computer Music Association, 1996.

"Male and Female Voices in Computermusic"
Proceedings of the International Computer Music Conference 1995, pp. 139-142. San Francisco: International Computer Music Association; Banff (Alberta, Canada): Banff Centre for the Arts, 1995.

'Composers and Computers in The Netherlands: Interviews'
Key Notes 25 (1988/1989), pp. 51-54. 1989.

Articles, reviews, interviews and programme notes on contemporary music (Dutch) for Stichting Nieuwe Muziek, Muziekcentrum De IJsbreker, Music Research Centre, Holland Festival, Rotterdamse Kunststichting, Stichting Kunstzinnige Vorming Rotterdam, Magazijn, Agenda, Slagwerkkrant and In Art: Visual, Performing & Literary Arts Magazine, 1987-1991.